[Source: Kerry Lengel, Arizona Republic] — There’s no point in soft-pedaling it: The great financial panic of 2008-09 sent Valley arts organizations into a tailspin. Cautious consumers sat on their wallets instead of opening them up at the box office, and big corporations had less cash to send trickling down to the non-profits. So performing companies canceled shows, slashed production budgets and cut staff. MyArtsCommunity.org, a high-profile campaign to raise donations, fell flat. The latest bad news comes from the West Valley, where the Heard Museum plans to shutter its satellite gallery and the West Valley Art Museum has closed its doors while scrambling to raise $150,000 to keep it afloat.
With the 2009-10 season revving up this month, anxiety about ticket sales and charitable giving remains high. But the show must go on, and there are hundreds of dedicated individuals, in the spotlight and behind the scenes, who are working to make sure that the crisis doesn’t spin into an arts apocalypse. To counter the gloom and doom, here are seven reasons to be optimistic about the state of the arts:
- Up-and-coming companies: Arizona Opera and Ballet Arizona remain strong, but they are no longer the only game in town. The upstart Phoenix Opera has brought in top-notch singers for two years of traditionalist stagings, while Novaballet, entering its second season, is committed to cutting-edge choreography that brings dance into the 21st century.
- New works: For theaters, the temptation might be to rely on familiar titles to fill seats. Yes, there’s a bit of that in the coming season. But in addition to the return of “The Phantom of the Opera,” ASU Gammage is bringing in-the-now Broadway hits “In the Heights” and “August: Osage County” (last year’s Tony winners for best musical and best play, respectively). Actors Theatre has four Arizona premieres on the bill, while Arizona Theatre Company will be staging a new adaptation of “The Kite Runner” and commissioning a world-premiere comedy, “The Second City Does Arizona.”
- Investments in venues: The building boom that gave us new performing-arts venues in Mesa, Tempe and Peoria isn’t over. The Scottsdale Center for the Performing Arts and the Herberger Theater Center are undergoing extensive renovations, while future projects, including an expansion at Phoenix Theatre, are in the works. The economic downturn is sure to slow the pace of big capital projects, but the momentum hasn’t been lost.
- Fresh blood: The Scottsdale center’s rebuilt theater comes with a new artistic director, Jeffrey Babcock, who promises to reach out to a broader audience with splashy events, such as its first Festival of Latin Jazz & Culture. New leadership always presents an opportunity to rethink ways of doing things, which means we could soon be seeing innovative programming at the Scottsdale Museum of Contemporary Art, ASU Art Museum and Heard Museum: All are on the lookout to fill director positions this year.
- Experienced leaders: Shaking things up can be good, but there’s also something to be said for a steady hand on the tiller. That’s what many major companies have: savvy executives with track records for success. At the Phoenix Art Museum, Jim Ballinger has been in charge since 1972, growing it into a multimillion-dollar company that attracts well over 200,000 visitors a year and overseeing two major expansions. On the artistic side are such leaders as Ballet Arizona’s Ib Andersen, a Balanchine protege who in 10 years has elevated the company to one of the most respected ballets in the country.
- International networking: The arts community forms a web that crosses all borders, and some of the greatest performers in the world are Arizona-bound this season. There’s the incomparable cellist Yo-Yo Ma, of course, at the Scottsdale Center for the Performing Arts, which also will host top dance troupes, including the pioneering Paul Taylor and Martha Graham companies. Then there’s the conducting world’s biggest superstar, the charismatic Venezuelan Gustavo Dudamel, who will bring the Los Angeles Philharmonic to Phoenix’s Symphony Hall for a performance that’s sure to be a highlight of the season.
- Grass roots: Even if the unthinkable happened and every major company in the Valley were forced to close, that would not be the end of the arts. There will always be actors and singers and dancers, and art lovers who want to see them. In good times and in bad, every generation breeds a crop of optimistic entrepreneurs who aren’t satisfied with how everybody else does things. Just one example is Chyro Arts Venue, which opened last year in south Scottsdale and offers provocative, independent-minded theater without the benefit of a six-figure budget. Many such companies come and go, but some will thrive and move to the next level, becoming the Nearly Naked Theatres and Center Dance Ensembles of tomorrow. The future is always unwritten. [Note: Read the full article at 7 healthy signs for the metro Phoenix arts scene.]
Kathy Adams and Lori Feinman of the National Trust for Historic Preservation flew into town last week to view Phoenix’s convention facilities; tour selected historic sites and neighborhoods in Phoenix, Scottsdale, and Tempe; and visit with area preservation advocates to determine Phoenix’s ability to host the 2012 National Preservation Conference. Meeting them at Sky Harbor was Sally Forrest, National Accounts Director for the Greater Phoenix Convention & Visitors Bureau.
The three lunched at the Hotel Valley Ho, one of the National Trust’s Historic Hotels of America, and then drove to downtown Phoenix to tour the Phoenix Convention Center, the Hyatt Regency and Wyndham hotels (two of the host hotels), and Orpheum Theatre. Barbara Stocklin, City of Phoenix Historic Preservation Officer, and Jim McPherson, Arizona Advisor to the National Trust, joined them for dinner at the Rose & Crown Pub in Heritage Square Park (a large outdoor venue that could serve as the opening reception for the 2,500-plus attendees of the 2012 conference).
On Tuesday, Adams and Feinman started off the day by visiting the historic San Carlos Hotel and breakfast at Palette in the Roosevelt Historic District. Then it was a “timed-to-the minute” whirlwind van tour of First Presbyterian Church, Security Building (and ASU’s PURL overlooking the city), Monroe School (Children’s Museum of Phoenix), Phoenix Union High School Buildings (University of Arizona College of Medicine), Steele Indian School Park, Heard Museum, and several midtown residential historic districts.
State Historic Preservation Officer Jim Garrison and Modern Phoenix Founder Alison King joined the group for lunch and tour of the Arizona Biltmore Resort and Spa. Then it was off to drive by the Wrigley Mansion, and visit the Desert Botanical Garden, Gammage Auditorium, Pueblo Grande National Historic Landmark, and St. Mary’s Basilica. Special guests “popped in” throughout the day to say hello, provide their perspective on preservation, and tout Phoenix as a conference site: Attorney General Terry Goddard (Palette), State Senator Debbie McCune Davis (UA College of Medicine), City of Phoenix Council Member Greg Stanton (Children’s Museum), attorney Grady Gammage (Gammage Auditorium), former Phoenix mayor John Driggs, and Arizona 2012 Centennial director Karen Churchard.
Topping off the visit was a reception at the Ellis Shackelford House in downtown Phoenix. Over 60 preservation advocates from all over the Valley (and Sierra Vista!), city officials, and downtown business group leaders attended. A balloon arch, special signage, decorations, and flowers in the colors of Arizona’s state flag welcomed our guests from the National Trust. City of Phoenix Council Member Michael Nowakowski, Garrison, Stocklin, Feinman, and McPherson said a few words, and the rest of the evening was spent enjoying each other’s company and dining on wonderful hors d’oeuvres from Catered by St. Joseph’s. Gift bags courtesy of the State Historic Preservation Office and City of Phoenix were presented to Adams and Feinman, and each attendee received a small gift as well.