[Source: Emily Gersema, The Arizona Republic]
Phoenix officials have crossed off the landmark Circles Discs & Tapes building from the list of possible new headquarters for the Arizona Opera because the building’s owners have failed to respond to the city’s requests for further testing on the site.
The downtown midcentury-design building, easily recognizable with its large curved windows, sits on a property that has underground tanks that probably stored fuel when the property was a car dealership, said Jane Morris, acting executive assistant to City Manager David Cavazos.
“When we did the environmental study, no one knew that there were tanks there,” Morris said. During a site visit in January, “we saw a vendor pumping stuff out of the tanks.”
She said city staff asked to do environmental testing on the tanks after seeing that. But the property owners, Leonard and Angela Singer, have not responded to the city’s request, prompting the city staff to search for another possible site for the opera’s offices.
The Singers could not be reached for comment.
“It is not known at this time if the Circles building could be back as an option,” Morris said.
The city has been trying to help the Arizona Opera staff find a new headquarters since 2006, when officials had promised the non-profit opera company the city would pay up to $3.2 million in voter-approved bonds to buy, renovate and lease a building to the opera.
Arizona Opera’s current offices are at 4600 N. 12th St. in Phoenix and 350 N. Mountain Ave. in Tucson.
Organization leaders have said they want to save money by consolidating the offices to operate in one location.
Circles Discs & Tapes history
• 1947: The midcentury-design building was constructed. Designed by architect W.Z. Smith, the building housed Stewart Motor Co. The car dealership was owned and operated by businessmen and brothers Jack and Spencer Stewart. The men sold Studebakers. Passers-by could always see one spinning slowly on a turntable.
• 1972: Angela and Leonard Singer bought the building and opened Circles Discs & Tapes. The store became a hot spot for music lovers.
• 2005: The Singers considered but then rejected applying for historic status to preserve the building. The Phoenix Historic Preservation Office worked out an agreement with the Singers: The city would create a historic-preservation-overlay zone for the property on condition that the Singers would give the city the first right to buy the property if it was put on the market.
• 2010: The Singers closed the store. Internet music purchases had surged, bumping record stores such as Circles out of business.
Source: Phoenix Historic Preservation Office, Arizona Republic archives
[Source: Kerry Lengel, Arizona Republic] — There’s no point in soft-pedaling it: The great financial panic of 2008-09 sent Valley arts organizations into a tailspin. Cautious consumers sat on their wallets instead of opening them up at the box office, and big corporations had less cash to send trickling down to the non-profits. So performing companies canceled shows, slashed production budgets and cut staff. MyArtsCommunity.org, a high-profile campaign to raise donations, fell flat. The latest bad news comes from the West Valley, where the Heard Museum plans to shutter its satellite gallery and the West Valley Art Museum has closed its doors while scrambling to raise $150,000 to keep it afloat.
With the 2009-10 season revving up this month, anxiety about ticket sales and charitable giving remains high. But the show must go on, and there are hundreds of dedicated individuals, in the spotlight and behind the scenes, who are working to make sure that the crisis doesn’t spin into an arts apocalypse. To counter the gloom and doom, here are seven reasons to be optimistic about the state of the arts:
- Up-and-coming companies: Arizona Opera and Ballet Arizona remain strong, but they are no longer the only game in town. The upstart Phoenix Opera has brought in top-notch singers for two years of traditionalist stagings, while Novaballet, entering its second season, is committed to cutting-edge choreography that brings dance into the 21st century.
- New works: For theaters, the temptation might be to rely on familiar titles to fill seats. Yes, there’s a bit of that in the coming season. But in addition to the return of “The Phantom of the Opera,” ASU Gammage is bringing in-the-now Broadway hits “In the Heights” and “August: Osage County” (last year’s Tony winners for best musical and best play, respectively). Actors Theatre has four Arizona premieres on the bill, while Arizona Theatre Company will be staging a new adaptation of “The Kite Runner” and commissioning a world-premiere comedy, “The Second City Does Arizona.”
- Investments in venues: The building boom that gave us new performing-arts venues in Mesa, Tempe and Peoria isn’t over. The Scottsdale Center for the Performing Arts and the Herberger Theater Center are undergoing extensive renovations, while future projects, including an expansion at Phoenix Theatre, are in the works. The economic downturn is sure to slow the pace of big capital projects, but the momentum hasn’t been lost.
- Fresh blood: The Scottsdale center’s rebuilt theater comes with a new artistic director, Jeffrey Babcock, who promises to reach out to a broader audience with splashy events, such as its first Festival of Latin Jazz & Culture. New leadership always presents an opportunity to rethink ways of doing things, which means we could soon be seeing innovative programming at the Scottsdale Museum of Contemporary Art, ASU Art Museum and Heard Museum: All are on the lookout to fill director positions this year.
- Experienced leaders: Shaking things up can be good, but there’s also something to be said for a steady hand on the tiller. That’s what many major companies have: savvy executives with track records for success. At the Phoenix Art Museum, Jim Ballinger has been in charge since 1972, growing it into a multimillion-dollar company that attracts well over 200,000 visitors a year and overseeing two major expansions. On the artistic side are such leaders as Ballet Arizona’s Ib Andersen, a Balanchine protege who in 10 years has elevated the company to one of the most respected ballets in the country.
- International networking: The arts community forms a web that crosses all borders, and some of the greatest performers in the world are Arizona-bound this season. There’s the incomparable cellist Yo-Yo Ma, of course, at the Scottsdale Center for the Performing Arts, which also will host top dance troupes, including the pioneering Paul Taylor and Martha Graham companies. Then there’s the conducting world’s biggest superstar, the charismatic Venezuelan Gustavo Dudamel, who will bring the Los Angeles Philharmonic to Phoenix’s Symphony Hall for a performance that’s sure to be a highlight of the season.
- Grass roots: Even if the unthinkable happened and every major company in the Valley were forced to close, that would not be the end of the arts. There will always be actors and singers and dancers, and art lovers who want to see them. In good times and in bad, every generation breeds a crop of optimistic entrepreneurs who aren’t satisfied with how everybody else does things. Just one example is Chyro Arts Venue, which opened last year in south Scottsdale and offers provocative, independent-minded theater without the benefit of a six-figure budget. Many such companies come and go, but some will thrive and move to the next level, becoming the Nearly Naked Theatres and Center Dance Ensembles of tomorrow. The future is always unwritten. [Note: Read the full article at 7 healthy signs for the metro Phoenix arts scene.]